In my art I use a variety of painting techniques. Initially I was concentrated on watercolors, over time started to work with acrylics which accompanies me to this day. Still, for a long time, the dominant area of ​​my art is oil painting. Most of my current works are large-format images. I get an inspiration from natural motifs, mainly cavern and rock (SpeleoArt). However, the symbolism of Spaleo is usually torn from its context, thereby it obtains intrinsic meaning. Often registered reception of my work is the impression of liveliness or even impersonation of the forms which are static and inorganic in nature. Infrequent sensation is the communing with virginity areas saffering for their first contact with light. Other disclosed associations include infinity, metamorphosis and tame terror. The already mentioned light as well as the perspective intentionally play an important role in my paintings. Their purpose is to strengthen the sensual message. Perhaps that is why some reviewers perceives my paintings as overwhelming in some indescribable way, forcing attention or even reaction not so much from the viewer as from participant of the meeting with the form. Most of my images have no title to release an observer from the associations suggested by the author. It is also about releasing the painting from the meaning predetermined by the conditions and emotions from the moment of its birth.